I love how, in his “Why I Am Not a Painter,” Graham Foust just brazenly TAKES the title of Frank O’Hara’s oft-anthologized poem. Do that, too: write a poem called “Why I Am Not a Painter.”
Frank O’Hara
Why I Am Not a Painter
I am not a painter, I am a poet.
Why? I think I would rather be
a painter, but I am not. Well,
for instance, Mike Goldberg
is starting a painting. I drop in.
“Sit down and have a drink” he
says. I drink; we drink. I look
up. “You have SARDINES in it.”
“Yes, it needed something there.”
“Oh.” I go and the days go by
and I drop in again. The painting
is going on, and I go, and the days
go by. I drop in. The painting is
finished. “Where’s SARDINES?”
All that’s left is just
letters, “It was too much,” Mike says.
But me? One day I am thinking of
a color: orange. I write a line
about orange. Pretty soon it is a
whole page of words, not lines.
Then another page. There should be
so much more, not of orange, of
words, of how terrible orange is
and life. Days go by. It is even in
prose, I am a real poet. My poem
is finished and I haven’t mentioned
orange yet. It’s twelve poems, I call
it ORANGES. And one day in a gallery,
I see Mike’s painting, called SARDINES.
Graham Foust
Why I Am Not a Painter
The most difficult beautiful
thing I think
to paint would be
a close-up, a close-up
of a single square
of toilet tissue
floating
in a bowl.
Or so I’m told.
No matter. My bad.
There is not genuine thinking
without a sense
of indignity.
This heart of earth of mine
can only hear
is only yours.